Image: Turning the making of sculpture into a public performance – Early concept drawing visualising the enclosure that activates the build zone as a site of performance. Credit: Edward Hodgson for PSC.
RESEARCH PROGRAMME – COVENTRY
January – June 2021
A new approach to public art in which the preparation and build is turned into a performative event that the public can witness or participate in.
The project foregrounds collaborative, socially engaged, environmentally conscious and sustainable practice in the creation of a work of art.
Pilot devised and developed with/for the communities in Foleshill, Holbrook and Radford areas of Coventry, City of Culture 2021/22.
Curated by Nandita Palchoudhuri and Lucy Tomlins, God’s Workshop: Of Clay and Straw aims to:
Pangaea Sculptors’ Centre recognises and highlights that it takes multiple people and organisations to make these projects happen. We would like to thank our partners Imagineer Productions, Kolkata Centre for Creativity and Media Mania and supporters Arts Council England, the British Council and Coventry City of Culture. These unique partnerships have enabled the development of this ambitious research programme.
God’s Workshop explores a new model for the realisation of site-specific, contemporary sculptural installations, in which the build is turned into a staged, performative event that the public can witness or participate in, dissolving the barriers between artists and audiences to make visible the layered processes of production and dissemination.
Born out of a cultural partnership that connects contemporary Western sculptural practice with the traditional skills of the Kumartuli artisans of Kolkata, God’s Workshop foregrounds sustainability and is an exploration of the relationships made through the materials of clay and straw, their production and applications, and connections and approaches both hyper-local and universal.
Working with Kolkata-based curator Nandita Palchoudhuri, this project brings together the unique skills and perspectives of five exciting artists from within our UK and India networks. The lead artists are Rachael Champion (Margate, UK) , Dolon Kundu (Kolkata, India), Amy & Oliver Thomas-Irvine (Cornwall, UK) and Jim Woodall (London, UK). Working with the established materials of unfired clay and straw, the artists are each invited to inject their own visual identity based on their personal material sensibilities, conceptual concerns and experience.
From Summer 2020 – June 2021, the artists and curatorial team embarked on a period of embedded research, practical workshops, collaborative design and community consultation in Coventry (engaging, in particular, communities from the Foleshill, Holbrook and Radford areas of the City). The result of this process is the co-development and co-creation of Hand / Earth / Gesture / Return.
Hand / Earth / Gesture / Return is an experimental, collaborative work of art, foregrounding the use of earth/clay, straw and water, that publicly manifests as chapters across different media (film, photography, sculpture, performance, installation, events) over the course of a year. More >
Materials – Clay, Straw ad Water
A common language without words – Finding connections between seemingly disparate communities and cultures through materials. Clay, straw and water have been chosen because they have specificity that is hyper-local, as well as universal connections and understanding. Bringing people together and creating a community around the public processing of these materials and a new public artwork.
In a culture in which the production and origins of goods are becoming increasingly complex and remote, PSC is addressing a wish to return to the roots of both our cities and the natural world and in turn participate in the making of things.
Clay is a plentiful natural resource and often a waste, or byproduct, from infrastructure projects. It is raw, immediate and can be found almost anywhere.
Straw is a byproduct from food production across the globe, from rice, to wheat, to beans. The wheat straw synonymous with the English landscape originated from wild crops in Syria. From British thatch, to the delicate craftsmanship of the Kumartuli of Kolkata, to examples of cob buildings across all seven continents, straw has proved itself as more than animal feed and bedding.
Densely packed, it is both incredibly strong and light and an extremely versatile, enduring and sustainable building material.